究境从停车场到电梯需要走五百二十八步，从入口处到尽头有三十四米的距离，我们花了一千四百二十个小时精心雕琢的这个空间，希望带你一起探索一个触手可及的未来。Ittakes528stepsfromtheparkinglottotheelevator.Thereisadistanceof34metersfromtheentrancetotheend.Wespent1420hourselaboratelycarvingthisspace,hopingtotakeyoutoexploreanaccessiblefuture.

这是一次对商业展示空间的尝试和探索。与传统业态不同，除了产品，现代商业更重视人与场景的关系。我们摒弃了材质拼贴，用氤氲的光影和结构的穿插，来平衡产品和场景的临界，从而维持一种微妙的双生关系。通过场景和产品形成的共鸣，建立起人与人之间的精神链接，塑造更深层次的品牌印象。Thisisanattemptandexplorationofcommercialexhibitionspace.Differentfromthetraditionalbusinessformat,inadditiontoproducts,moderncommercepaysmoreattentiontotherelationshipbetweenpeopleandscenes.Weabandonedthematerialcollageanduseddenselightandshadowandstructuretobalancethecriticalityofproductsandscenes,soastomaintainasubtletwinrelationship.Throughtheresonanceformedbyscenesandproducts,establishthespirituallinkbetweenpeopleandcreateadeeperbrandimpression.

究Investigate上下求索，是为“究”Seekingfromtoptobottomisfor"investigation"一反常态的设计，舍去形式主义对空间体量的追求。将门头隐入整体结构之中。既是对全新商业形态探索追求的隐喻，厚重的岩板肌理，也体现了品牌上下求索的气质沉淀Theunconventionaldesignabandonsthepursuitofformalismforspacevolume.Hidethedoorheadintotheoverallstructure.Itisnotonlyametaphorfortheexplorationandpursuitofnewbusinessforms,butalsoreflectsthetemperamentprecipitationofthebrand.

产品与场景能否产生共鸣的关键在于人与场景，或者说人在不同空间中的过渡。进入内部，灰色基调跟空间属性相调和，诠释了建筑与其外部环境之间的过渡，在这个过程中，人是参与其中必不可少的一环，进而达到内外相融的目的。Thekeytotheresonancebetweenproductsandscenesliesinthetransitionbetweenpeopleandscenes,orpeopleindifferentspaces.Whenenteringtheinterior,thegraytoneisreconciledwiththespatialattributes,whichexplainsthetransitionbetweenthebuildinganditsexternalenvironment.Inthisprocess,peopleareanindispensableparttoparticipateinit,soastoachievethepurposeofintegratingtheinsideandtheoutside.

格栅作为承载光影的虚体，强化了地面抬升形成的空间层级。深邃厚重的品牌气韵便在这层层递进的空间中开始蔓延。Asavirtualbodycarryinglightandshadow,thegridstrengthensthespatiallevelformedbygroundlifting.Theprofoundandprofoundbrandcharmbegantospreadinthisprogressivespace.

毫无支撑的盒子，横向挑出的悬臂，无一不在诉说着挑战和反叛。我们用结构在此处造就了独有的场所精神，也借此希冀探寻出一条新的道路。Unsupportedboxesandcantileverspickedouthorizontallyarealltellingofchallengesandrebellion.Wecreateauniquespiritofplaceherewithstructure,andhopetoexploreanewroad.

境Boundary四象八卦，意为“境”Fourimagesandeighttrigrams,meaning"territory"

在我们看来，场景不是一定要服务于产品，场景和产品的关系应该是可调的。在某些空间，它们应该相汇，在某些时候，它们又应该相离。Inouropinion,thescenedoesnotnecessarilyservetheproduct,andtherelationshipbetweenthesceneandtheproductshouldbeadjustable.Insomespaces,theyshouldmeet,andinsomecases,theyshouldseparate.

墙面裂开的缝隙，打破了空间原本的桎梏，肆无忌惮的造型，深邃裸露的洞口，在重生的空间中展露出有机建筑的形态，进而促使产品跟人在这里产生连接。Thecrackedgaponthewallbreakstheoriginalshacklesofthespace.Theunbridledshapeanddeepexposedholesrevealtheformoforganicbuildingsintherebornspace,thuspromotingtheconnectionbetweenproductsandpeoplehere.

解构主义的立柱，既是产品，也归属于空间，两者和谐共存，相得益彰。Thecolumnofdeconstructionisnotonlyaproduct,butalsobelongstospace.Thetwocoexistharmoniouslyandcomplementeachother.

主次不同的两层空间形态，通过高悬的陨石，形成了动与静的场景分割。是动静，亦是动境。Thetwo-layerspatialformswithdifferentprimaryandsecondaryformsformadynamicandstaticscenesegmentationthroughthesuspendedmeteorites.It'sadynamicsituationaswellasadynamicsituation.

反向打开的二层缝隙，与二层过道隔中庭相望，仿若静境中投湖石子泛起的阵阵涟漪，在空间中形成动静交织的次序，震人心脾。Thereverseopeningofthesecondfloorgapfacesthesecondfloorcorridoracrosstheatrium,liketheripplesofthrowingLakestonesinaquietenvironment,formingadynamicandstaticintertwinedorderinthespace,shockingpeople'sheartsandminds.

设计师:沈正全/姚俊

机构&职务：凹设计事务所设计师

擅长专业：家装设计

个人简介：凹设计事务所设计师